Shoes on my feet and the road can feel me/
this connection to the inorganic/
the patter of muffled thuds resonate
to core/where water runs in subterranean rivulets/
coursing with the memory of faded footsteps/
The roots should know too that I walked past/
and whisper to the entwined masses beneath/
of narratives of a walk in Eden/ charting territory
that others have stamped their claim to/
Do the spiders know or the groundhogs/
that paper bequeaths ownership/
Do the roots inveigle their way through pebbles
and mud/ staking rights to every inch of space/
My feet cannot reach these places/ and yet
exult in the measure of messages/ to them all,
those within which/ simmer perceptions
of halcyon control/ possessing in permanence simply/
a faded memory of footsteps/
Who can contain the present thus/
It belongs to no one and to everyone/
No paper nor stone nor beast/ nor man
can stamp it’s claim to it.
This month has been debilitating for those struggling with political theatre, the virus saga, the confusion of norm and reality, the hangover from 2020 and changes in the way we live.
I try to encapsulate this in a poem about a walk, drawing an analogy of how human perception distorts life, time, the material into suiting its own desire for control and possession.
I learn that stability is in the walk, the trailing of footsteps, the coursing of a river, the growth of roots. The present is filled with such. All else is perception.
I would argue against defining it as impermanence, that sounds so pessimistic and grants heaviness to the heart.
A coursing river should not make you unhappy just as the pulsing heart makes you live. Footsteps take you someplace and that’s the beauty to the present.
Look to adventure, every moment every second bleeds forth an opportunity for difference, in change.